Voice intro: Welcome to Nordic By Nature, a feature length podcast on ecology today inspired by the Norwegian Philosopher Arne Naess, who coined the term Deep Ecology. In this episode, ON ART you will hear the voices of two Norwegian artists, Catrine Gangstø and Laila Kolostyák. Catrine and Laila are committed to using ART as a meeting point for engaging the local community in thinking about equity, identity and our inner and outer natural worlds.
But first you will hear a few words from my colleague Ajay Rastogi, at the Foundation for the Contemplation of Nature. Ajay works closely with the women of Majkhali village in foothills of the Himalayas, in Uttarakhand, India. He set up the Vrikshalaya Centre there to be a meeting place and knowledge hub for the villagers and other communities in the Himalayan lowlands, as well as visitors and homestay guests interested in learning about more meaningful forms of sustainability.
Catrine Gangstø is the founder of the Peace Painting Foundation, that runs painting workshops for children, youth and adults all over the world, including war zones. Through her idea of Painting for Peace, Catrine has engaged over 3,000 workshop participants and many more through travelling exhibitions of their work. Catrine has proven that painting can be a safe space for sharing difficult experiences and emotions as well as a way to communicate hopes and desires for peace in the world.
Then we hear from Laila Kolostyák, a visual artist who works with snow and ice. Laila and her colleagues have engaged a whole generation of young people in creating and enjoying outdoor snow and ice experiences that culminates in the Borealis festival in Alta, which lies 375 km north of the Arctic Circle.
I hope you have time to sit back and enjoy listening!
Peace paintings from Norway
AJAY: My name is Ajay Rastogi, and I’m joining from the central Himalayan region of Uttarakhand state in India.
It’s a lovely sunny morning and we have the mountain views of the high Himalayas in a very spectacular way. And that reminds me of the work of Katrina and Laila, as they do in Norway and all across the world, with the children as well as with all age groups, inspiring the people to connect with the art.
It’s a bit of a concern that art is increasingly thought of as something which is only about creativity and not as something which fills us with joy or something that we need to do as a part of our daily schedules are something that we need to connect with in a deeper way. As a community because somehow the distinction of work what should be there vs. what is leisure is somehow the art has shifted to the world of leisure whereas what we feel is that art and innovation and creativity was a part of our every walk of life.
Ajay Rastogi, Founder of the Foundation for the Contemplation of Nature.
We did it in food and we did it with clothing. We did it with the shelter. We were very deeply connected in how we can have a community deeply connected with the landscape drawing resources from the landscape and making them artistically feasible for us to enjoy. And in a very communitarian way. Somehow, we feel that it’s the art which brings a lot of cooperation and collaboration. Art is also the measure of expression when we create works of art with natural Lord and in nature. Then I think we are definitely also a lot of harmony in more leaning. So there is a considerable amount of happiness and joy.
So, I think engineers can create art. Doctors can create art. Lawyers can create art financial people can create art. Art also creates us. We don’t just create the art. And I think that’s where we get in deeper in connection with ourselves with our bodies with our minds without emotions and we feel that empathetic connect with the community at large.
SOUND: Skype ringing.
Catrine: My name is Catrine Gangstø, and I have grown up in the northern part of Norway. and I am working with peace painting. It’s an Equality Project for Children and Youth. We started in to 2007, locally, but very soon it became international because we had grants from the foreign departments to try out the way of working with children and youth in other countries.
Catrine on holiday in Bindalen, Norway
It’s a lot of years since they had the idea in using colours as the main platform when we work with equality among children and youth. And that is because I can see colours in words. It’s called synaesthesia. I can see colours in words and everything.
I think I was thirty years old when I realised that it was not common to have this skill. When I was a child …for instance if I didn’t like the Colours that occurred on the on the city, I didn’t want to go there. It was the same when everything. It forms my antipathy and sympathy, when I was a child and young woman.
When I was studying art history, teaching and different religions, different beliefs. And then they had this idea to try to make a equality project for children and youth. And using visual art and making texts.
it became a big success locally.
CATRINE ON SEVEN NEEDS
First of all, we always have an inspiration time, where we talk about seven human needs that everyone has, and we knit it into colours, but in the end, we say every colours is in every colours. So it’s open you can connect all you want.
Maybe they just start painting. But we talk about seven human needs as physical needs. emotional needs, and concentration so you can learn, and love and communication, and everyone need to to use their imagination. We talk a lot about this.
Your imagination, everything starts there, and we talk about to make something, make a good environment, to make friendship. Everyone has a need for making things. And then they start painting.
Catrine with Laila in Iran, where they held peace painting workshops for kids of all ages.
CATRINE ON STARTING PAINTING IN WORKSHOPS
We have a method to make them start. For instance. we always use wide brushes in the beginning, and we always have the same size in every board 50 x 70 centimetres, and they are sitting there in front of this quite big board. It’s ‘more easy’ to start. It’s not about the details. It’s about the colours and movements so it’s another way of starting.
CATRINE ON POSITIVE FEELINGS WORKSHOPS
We work with all ages. It can even be children who are two years old and then maybe they have their parents together with them or grandparents. And up to 20 30 years old. It’s very nice to be a mixed group with different ages.
I think it has something to do with the inspiration time we have in the very beginning to make everyone equal.
We focus on the nice things in life. It’s a positive focus.
They also take part in the inspiration time. Which colour do you like just now? Maybe in the evening it may be another colour. Everyone chooses and associates to the colours they choose. Yes. That’s the very beginning. It’s very important for them to take part in the inspiration time and in a way, we get known to each other.
Peacepainting in Iran.
CATRINE ON COLOURS AND MEMORY
We connect the colours to the body in a way.
Colours is visible light. And I always say what can we see when it’s the sun and the rain at the same time and then everyone says the rainbow. And I talk about in our bodies, we have a lot of water up to the shoulders……. In my head I imagine that we have a it becomes a lot of beautiful rainbows in our bodies this just like raindrops increase when it has been raining and the sun is coming and making a lot of diamonds in the trees.
And then we can talk about seven human needs. Everyone has and we connect it to colours. And to the body. Then everyone feels relaxing because we feel equal, and after this session we started, they started to give from their own life experiences, when they start choosing colours one by one.
So for instance one child can choose a colour. And then I say. “Oh, what do you associate with this colour today” and the child says “it this colour it reminds me about A trousers my grandfather used to use and I can see my grandfather is not alive any longer.”
So, you see it’s very personal what they come out with. So when everyone has given an association to the colour they choose. We have quite often we have been through all the human rights in a way.
It’s a kind of de- focused communication.
Yeah it becomes a very good atmosphere.
CATRINE ON HOW MANY PEOPLE?
10 is the best number. That is the very best. Quite often we need one to translate. It goes very well it’s not the big thing, because we are in this abstract language.
CATRINE ON CHILDREN’S MESSAGES
We have been Refugee camps in Lebanon, and we have had workshops, in other countries with children who lost all their relatives in war. And we can see that children who has this terrible experience in losing or their relatives in war, or some people who were close to them. They are really really wanted their painting to go out in the world. So we bring their painting out in the world and making exhibitions. So, the children and the youth can have the feeling that their messages are being heard in a democracy.
People who are taking big decisions that influence on a lot of people need to hear from children and youth. It’s a good inspiration for children and youth.
I remember one painting it was a really big flower and the earth was….full of zig zag – very hard. And the painting was called “to rise from the darkness” so it was it was really easy to see that the children really wanted to look forward to the future.
Peace Painting workshop in Iran, 2019
CATRINE ON DE-FOCUSSED THERAPY
It’s a kind of therapy, but we do not focus on it. Every time a painting is painted. It is a mirror.
And they are sharing what they have inside to the rest of the world, and they feel that “I have something important inside” that that people really appreciate.
So that is the environment we are making the workshop.
AMBIENT SOUND: 3. Kids-playing outside.wav
Art is a very good subject to use as a tool.
What if equality could be the normal way in acting and forming systems on the earth? It would be so interesting to see what would happen with um Ecology with Nature, with the wars and so on.
It’s so amazing to see who a like people are all over the world, and what they want to describe, which message they want to give it to each other.
We have been in a lot of different countries and cultures. Tunisia, Lebanon, North Korea, Philippines, and Sri Lanka. Poland, Russia, Portugal, Bulgaria, Finland.
It’s very alike, all over the world.
SOUND BRIDGE TO LAILA
Well my my name is Laila, last year. I’m an artist and I live in Finnmark, Northern Norway, in a little village outside Alta,. [00:04:51][9.7]
ON ALTA CITY PARK
I am working with the Alta city centre making an ice park at the moment.
I involve a lot of people in the projects like schoolchildren. 16 years old, everybody in Alta at that age make an ice sculpture. From the transport they move the ice, and then the builders build with the ice, and then professional artists and then, friends and sculptors from Russia come in to the project, and there are volunteers, there are people, who call me.
There is an architect office, all of a sudden is just growing and growing and growing, and what we’re doing is we are actually creating a park where you can spend time out of doors.
Little by little winter tourism has become very important. So, now there are tourists come along, they also sometimes ask if they can help and they participate.
And so it’s like this become this kind of meeting point, the whole park, of lots of people, and we start already working outside in January, and it’s finished in 7th of March.
And it is sort of growing and sometimes I don’t even know how many people are working there.So it’s interesting. But the main thing when I started the project was I think Alta should be a nicer place. The winter is really long and I used to really hate living here because it was so cold.
DIEGO ICE SOUNDS ON ALTA END OF EUROPE
Alta has two months of polar nights from from November until end of January. It is really dark with no sunshine. And we are five hundred kilometers approximately above the Arctic Circle, and Alta is situated by the fjord, not far from the Arctic Sea from the Barent Sea so it’s quite far north. And this 3 hours drive and you end up at North Cape.
So that’s the end of Europe. So you can’t get further north in Europe.
DIEGO ICE SOUNDS
Yeah So that’s where I live. You know sort of on the edge of Europe really cold
Laila On Play
When I was a child I loved being outside. I just. And I was never too cold because of course you have lots of sensible clothes on. So you just enjoy being out of doors. And snow and ice have for an artist and for a child has enormous potential for play and for fun.
You know you can create and you can build really fast, really big, or you can create little things and you can do what you want and you’re using your body all the time you are working so you get tired, but then you start again you rest a little bit and then it’s like, um,I don’t know. It’s really fun. People ask Why are you doing it? Why are you working like this? You are a grown up woman. Playing in the snow.
That’s the only way I can live here actually!
On not liking the cold.
You know I left Alta because just because I hated the cold, I went to Paris when I was 19, Working as an au pair in a family. It took me twelve years before I came back to Alta to live here.
Yeah first I was living in England. A little bit in in Holland, in Hungary, In Oslo, I was living in Bergen, and then I went to Lofoten and so little by little I returned to the north. But I was really really dreading the cold winter and the only thing I was thinking was I was longing to go away. And what can I do inside?
And then somebody asked me “Would you like to participate in an ice sculpting workshop?” And I said No, no I’m an artist, you know Ice is not a serious material for an artist.
Then I went anyway. And then they gave me this kind of really thick clothes like children wear, you know like a whole suit. Now really thick and big. And we went to this lake and there were people from the Ice Hotel in Sweden doing this ice course.
And they gave me this tool, really sharp tool.
And then there was the ice and then I just remember the first the sound of cutting into the ice. This “shhh” it was just amazing. It was just like hooked immediately because this has it’s such a nice feeling of just the movement of with a sharp tool into the ice.
And then all of a sudden ice transformed, it became really interesting.
ON THE MATERIAL OF ICE
I started to look at it differently, I thought you know it was first of all it’s interesting as a material because you could see on both sides. At the same time all the environment around it is reflected into the ice. So if you put an ice sculpture outside then all Nature is reflected into it.
And then when I was working more with ice I was started to reflect on the fact that it is water. You know it’s life. I am 70 percent water. This is hundred percent water. So it is only 30 percent difference between this block of ice and me. And every life is dependent on water.
So… So it came in a way from being a material that I didn’t take seriously it became a material that I don’t think there is any material as interesting for an artist.
And then the changes all the time with temperature lit… Slight changing time in change in the temperature. And it goes from ice to water, from and it’s all the time. From being concrete form to vapor, you know.
That’s why you when you put things in a deep freeze and you have to cover it cover it otherwise it dries out. So ice is drying out all this time, it disappears in front of your eyes.
Ice from Nature
In Alta we are so fortunate that it’s so cold that we go to a lake, and we take out the ice from the lake. So we don’t have to produce it. I mean the nature is producing it for us. [00:13:32][11.2]
The way the ice look like it. It depends on the temperature, that winter or that month. Before you take it out you can take it out when this really is day and night or leave it until the March is it up thicker and you can even take care of the ice so that it will grow thicker, and you can take off the snow that protects the ice. And then if you don’t take away the snow then the snow can push down the ice into the water and the water will come up and will form white ice on top.
So you’ve got two qualities of ice. Ice is all the time moving because there are forces, big forces is ice when it’s created. So there are cracks there are bubbles that little fish, even you could find leaves, and dog shit, whatever.
The water is never the same. You can take it out from a river.
1000 YEARS BACK
And then when you take the ice out then you can look at it and you can see Ah it’s been a cold winter or it’s been a mild winter and then you will see that’s yeah.
You Can see that. And then that’s how they can read. You know in Greenland when they drill big holes or in the Antarctic, to to do research, on one winter, you know. So we got one winter and we create from one winter. But they they have you know they can see 1000 years back and see how the climate the temperature and they can measure it. So it’s interest… So there are stories in the ice, you know.
I check the temperature every day several times a day. What kind of weather would it be and what I look at is is not if it’s windy or snowing or is it above or is it below minus. I don’t want to see the red. I don’t want it to be warm in the winter.
So because it means as an artist because it since we are working outside that our things that melting so that we have to try to protect it or whatever. And I can remember my childhood in March. Maybe I’m wrong but this is kind of memory I have that it used to be minus 10 during the day and minus 20 during the night.
This is sort of my memory and we didn’t. I remember because it wasn’t until end of March we would go up into the mountain, go skiing because it would be too cold to go skiing very far. So we will stay. Not so far from the house. And every single weekend I used to go skiing with my parents in the mountains. But we didn’t do that. We didn’t do that in March because March was too cold. And then now when I look, you know March is sometimes you have 8 degrees you can have like a warm spell in February. Eight degrees, really really really warm, maybe for a week sometimes, but not every year is like that. But that’s sort of the occasional year. And I can’t remember that from before you know.
And since I’m working with ice I’m really really sensitive all the time you know how what what is the weather like tomorrow.
DIEGO SOUNDS WARMING
In Kirovsk, Orenburgskaya Oblast’, Russia.
LAILA: [00:18:26] What I can see is that you’ve got trees growing higher up. Little by little there are new trees coming higher up right there before there were just mountains and rocks. So you can see trees are growing faster and higher. So it is getting warmer. It is getting warm. You can see that. [00:18:42][15.7]
ON PREVIOUS PROJECTS
9.00. As an ice artist, I remember when I really really took it it was actually when I brought 15 tons of ice to Copenhagen, in 2004. That was supposed to be the coldest week in Copenhagen. You know they used to have cold winters in Copenhagen before. [00:19:02][4.9]
So we would do this ice project doing Sami manifestations of Sami artists in Copenhagen. So we created it but it was so hot it was so hot the whole time. And it was like 12 degrees and just that night until the morning the wind has changed and shaped the ice and it was just disappearing but at the same time it was really beautiful. So then I started to interest in melting ice. You know what is happening to the ice that is melting. ´
And then I got into reading about the Tundra and I did a project for a festival outside Paris where I brought twelve tons of ice to Paris. It was next to Paris, to a city called Lime. And I made an ice circle of twelve tons of ice.
It was six metre diameter, and then put earth on top, and grass on top and it was melting.
Even it. It was 24 degrees on the opening night. It took like a month to to melt. And then a year after when I came back I could see the change of the different grass that was growing up.
Because the grass that we had left on top people would be stealing. You know so. So. And so when the ice was gone people took the grass and brought it back to the back gardens. And it was like a year after. There was a circle of new grass.
Sculpture from Crazy Saw Ice sculpting competition. Team- the Ice Queens!
Laila on how she started.
My first year I was doing ice sculpture, with just one star made of ice. I just remember I made a star. And that was my first ice sculpture. At the time because I just moved back to Alta, I didn’t have a studio. And I wish I had a studio, and I had all these plans in my head. I need to build a studio, you know. When everybody else had left the lake, I took the last block of ice, and I carried it back to my car, it was quite a big block of ice and drove home. And then I took my shovel and then I shovelled outside in a big heap a snow. And then I put on some lights. I put this block of ice, I put on the radio, and I said I got my studio, but a studio outside.
I don’t need to build a studio. I already got a studio outside.
DON’T LIKE THE COLD continued
All of a sudden I realised that it wasn’t the cold I was hating. I really liked the cold. I didn’t like ‘being’ cold. It’s really simple you know because that’s what people don’t like. They don’t like being cold. But if you is it’s it’s the clothing that’s important that you have good shoes you covered with wool underneath and you have proper clothes and then and then you are free when you’re outside. You can sit down on the ground, you can lie in the snow, or you can do whatever you want, you can sit on the terrace and have a glass of wine, you don’t have to sit inside, you can look at the stars and the Northern Lights or whatever.
There is always light!
THERE IS LIGHT continued
I remember I came back from Paris just before Christmas and my son came to get me at the airport. Well when I said to him driving through the snow covered landscape and there were stars and a little Northern Lights and God it’s light, it’s really really light, and he said “Mom it’s not like it’s dark.” There is no sun. It’s dark. And I said No no you compare compared to anywhere in Europe now it is really dark. It’s really dark. It’s black because all snow makes it light. You can see the landscape even when it’s dark.
This reminds me of my grandmother and I used to go into her house when I was little and she would sit in the darkness complete darkness, during the dark period. You know the polar night period and I wouldn’t. I would ask my grandmother why are you sitting here in the darkness and he said. Come come have a look. If when I’m in the darkness I can see the little light outside.
And if I put on the light I don’t see anything.
The snow and ice project, it gives sort of an identity to the young people, so that now everybody expects that when they are in 16 years old they’re supposed to do an ice sculpting course, one that the high school building department Transport Department they all enjoy and the art department they all take part, in this creating of the festival As long as well as professionals.
THIS YEAR- THE RIVER & ALTA AKTION
And this year we are doing a project about the river. Elva and that’s because this year it is the year of the wild salmon.
And then I thought that would be good to focus on the river, you know. The river is all cultures, you know agriculture, people’s lives are from the river. So we are making a big river going through the park full of live from from the mountain plateau. Until the fuel within the fjord will be an ice skating rink and it is also voyage from the Sami drum, until the fight, for the Alta river, Alta Aktion that was here in the 70s, ‘80s.
For five years there was this big battle against building out the river. Eventually they lost but the sound we gained. Well we as a Sami we gained our Parliament Sami Parliament.
Laila with her colleagues with Elisabeth Kristensen and Mari Charlotte Bottolfsen in Kirovsk, Murmanskaya Oblast’, Russia.
2019-2020 The river project and copper mining
The Norwegian government just decided to put a lot of waste from our copper mine decided to give permission to copper mining company can put it in the field not so far from here yeah. A copper mine in it up of yours. And then you think. How is it possible today with all the knowledge that we have. Do we need this copper so badly that we cannot think where to put the waste? Even if it’s a bit more expensive.
I think this river project that we’re doing, maybe people will think well it’s it’s still an issue, because we’re dealing with the environmental battle from the river of Alta. And this happened when I was young and you know so my father he was working for the environmental organisation. He brought me to do all these demonstrations and manifestations against building out the river. ALTA AKTIONEN no you should read it.
Life is diversity!
In Alta. There is a tradition for having a big market twice a year in do in November and in March exactly when the festival is so traditionally the Sami would come from the mountains.
To sell their stuff and the Russians would come and we would all meet and we. And now today is exactly the same. A lot of people from Russia come to sell their products and there are the Sami people selling their handicrafts or local produce, and making teas, or meat, or Thai people making making.
And there there is a guy in the van. He’s selling kebab. And I think he’s from Syria. After the meeting of the Samis, the Norwegian and then the Kvan, the Finnish people. So it’s a meeting on. The basis of the local people here are are a mix of people. We had a really long time ago. No now we got people I don’t know from 40 different nations living in Alta.
The identity of a place
When I talk about identity for me what’s interesting is is what happens now, that we can we can share and we share. We share the cold, you know doesn’t matter what kind where your father came from. If you live here it is cold, and You have to deal with the cold.
15.40 We also have been working a lot with Russian artists and this year. We also will have Russian students coming from the Arts School on Murmansk. So it’s really I’m really happy for that because in a time when when you are not so you we are all the time looking for faults. And how we cannot cooperate. I think it’s even more important for artists and people to actually to connect and try to still work
We have to to create a better future. It’s not possible to close your eyes to your neighbour. Not Possible.
The basis of what we are doing is actually. You know it’s cold. So if it’s if it gets warmer we can’t do this. snow and Ice thing. And it’s really strange because when I was young tourists came to visit the north to see the midnight sun came here. So that was not. There were no tourists at all in the winter period. And now it’s upside down. Because of that I think it is because of the climate change. All of a sudden people are interested in the cold because Europe doesn’t have any long winters anymore. So people come here and and discover that yeah.
We need to take care of the cold.
And for the local people it’s actually a resource, it’s it’s a part of our identity. You know imagine if we didn’t have any winter you know what would we do without the winter before we used to think what we do when we have the winter you know. So it’s it’s turned upside down.
I think the period when you see the most people are out of doors and spending time in the centre is actually during the festival, when we are making snow and ice out when it’s the dog sled race. So it’s one of the year time of the year when we build up everything that there are really a feeling of life. And things are happening otherwise I think it’s quite dead.
Because people staying indoors
On teaching kids
The most important work is actually you know like the teachers are doing. Or artists working we teach kids you know. That’s the the work that hasn’t got any recognition you know.
So if you are an artist and doing paintings and only thinking about yourself and put them in galleries, then you are a great artist, but if you work with kids, or you work with snow and ice or whatever then then then it doesn’t happen in that way. You see. And therefore I think a lot of artists would avoid exactly working as I do and the kids they’re just there, you know what I think is really really important for any artist to consider where they are, you know and be a part of where they are. I think that’s it’s like it’s like a duty. I feel I have a duty to give back what I’ve been given.
Outside with kids exploring nature
PLACE IDENTITY – ALTA AND STRANGERS
You know why do I do it? Yeah, I know the reason: I want Alta to be a better place than it was when I was growing up, that’s why I do this, because it’s it has been a very closed place. You you are skeptical to strangers you you’re not supposed to talk to strangers, and all that, and you and I always saw strangers it was the most interesting thing of all!
You know people who didn’t know what they were thinking and they were looking different and they were eating different food. I think all that’s interesting. It makes your life much more rich you know. So I think there’s not enough different people were not allowed to be as different as we are but at the same time we are being different. We are the same.
I really liked the fact that you don’t know who said that a stranger is only a friend that you don’t know yet.
If I was really realistic I wouldn’t let any of what I’m doing who would work with snow and ice and who would work with kids. Kids! You cannot be environmentalist and not think about people not think about the kids.
I think artist and doing art with children is quite important. And then doing it in a way that it resembles Play.
Land Art with children
In the autumn what I did is land art project with kids that were they were seven years old and every day there would be a class coming to the beach area in autumn. There is a beach and a forest is really beautiful. With lots of old pine trees.
And it was quite interesting to see because I have been in France and seen the little children going to the kindergarten, and then where they are in little squares with concrete and they play out and they are dressed like little women and little with skirts and short trousers, also like that in England.
And then you see this little Norwegian children. I think that made me really proud, because they are really sensible dressed, with high boots and and suits to sit on the ground, and they all prepared a little packed lunch, sausages, and they stay outside maybe even if it’s really really cold like it was minus 4 degrees or wind, , sleet and they didn’t complain, you know? They were just getting on with it and then they were grilling our sausages on the bonfire and they had all the equipment that they needed and they were all prepared and they were all really happy being outside.
So I think the kindergarten and teachers in this in the younger age in school are doing a great job with the kids being outside.
Actually I’ve I’ve read that that French kindergartens and and I come and are coming to visit Kindergardens in Norway, just to see how we actually manage to have kids being outside. I mean there are kindergartens and even here in the Arctic there are almost all the time out of doors, almost all day.
DIEGO SOUND KIDS PLAYING OUTSIDE
STORY OF THE BIRD.
LAILA: We had like a kickoff for the project at the high school with all the builders and the people from the Transport Department….
We invited the historian, to come and talk a little bit about the history of the river so that there were all everybody will have like a little rucksack with information, and and then he was telling me about something I didn’t know, that there is exists Alta. Is this the name of the town now. And the part where I come from it was called Elvabacken, and that it existed an even older name that was called Sortcots, and it’s the name of a bird in Norwegian its called Svennesnipa, so it goes is the name of a bird.
It is a bird that migrates. It migrates to the tropics from from from Lapland. And you don’t find this bird in southern Norway or in southern Scandinavia, so it migrates between Lapland and the tropics. And and it’s the woman that is the beauty of it has the nice feathers and she lays the eggs and she leaves the upbringing to the male bird, and she is really bossy, and she is if somebody is attacking, Then she is the one who defends him and the kids. But in the end she leaves and she goes off to the tropics again and she leaves them all the work with him.
And she also has several partners.
So it’s a world where it’s upside down. So it’s a little bit. So I just thought it was really funny that this bird has given the name to the place where I come from.
DIEGO SOUND: TANYA SUMMER GARDEN
Thank you for listening to this episode of Nordic By Nature, ON ART.
You can find more info on our guests and a transcript of this podcast on imaginarylife.net/podcast.
Catrine Gangsto’s website is peacepainting.org.
You can find Laila Kolostyák on Facebook, through the website, icecircle.info and her own website, lailakolostyák.com. That is (spells it)
Nordic by Nature is an ImaginaryLife production. We are also fundraising on panteon.com/nordicbynature. Please help us by sharing a link to this episode with the hashtag #tracesofnorth and follow us on Instagram @nordicbynaturepodcast.
The music and sound has been arranged by Diego Losa. You can find Diego through his website diegolosa.blogspot.com.
You can read more about Ajay Rasogi’s nature-centered mindfulness and the village homestays on foundnature.org. You also can follow the Foundation for the Contemplation of Nature on Facebook, and Contemplation of Nature on Instagram.
We’d love to hear your thoughts on our podcast. So please don’t hesitate to email me, Tanya, on email@example.com
Welcome to Nordic By Nature, a podcast on ecology today sent from Suburban Sweden, and a mountain village in Uttrakhand, India, in the foothills of the Himalayas. My name is Tanya and my colleague Ajay will be joining us later. Sound has been arranged by Diego Losa, in Paris.
In this episode On Activism, we have 3 strong voices who represent many thousands more at the forefront of change. First you will hear the words of Satish Kumar. To people in the ecology movement, Satish Kumar needs little introduction. He has been a world leading activist for over 50 years.
In his early 20s, inspired by Gandhi and British peace activist Bertrand Russell, Satish embarked on an 8,000-mile peace-pilgrimage together with E.P. Menon. They walked, without any money, from India to America, via Moscow, London and Paris, to deliver a humble packet of ‘peace tea’ to the then leaders of the world’s four nuclear powers.
After Satish, we will meet Marijn van de Geer, a Dutch national, living in London, and active member of the growing, grass- roots movement Extinction Rebellion, that staged a 10-day demonstration across London, in April 2019, preceding the UK parliament declaring a climate emergency.
We then will hear Siti Kasim, celebrity lawyer and human rights activist who is passionate about the rights of the indigenous people in the Malaysian peninsula, the Orang Asli.
I hope you can make some time to relax, and simply enjoy listening.
SOUND: CHANGES TO ARCTIC ICE RECORDINGS
It’s been snowing again last night. I’ve been reading about Arne Naess, the Norwegian Philosopher. He was committed to non-violent communication and research.
He coined the term Deep Ecology. His work can be summarised as follows.
Number 1. We underestimate ourselves. We confuse self with ego.
Number 2. Human nature, that is sufficiently mature, cannot help but identify with all living beings – Schopenhauer, Descartes, and Heidegger were all immature in these matters.
Number 3. Nature and our immediate environment have been largely left out of definitions of the Self.
Number 4. The meaning of life, and the joy we can experience in being alive, is enhanced by self realisation.
Number 5. We inescapably identify with others. Our self realisation is enhanced by the self realisation of others. It is possible to act beautifully in harmony with nature and not just morally or morally.
Number 6. The greatest challenge today is to save ourselves from ecological devastation which violates the existence of all living things.
SOUND: LOCAL TRAIN AND FOOTSTEPS IN THE SNOW
In 2017, I met Ah-jay Rastogi at a conference in Delhi called the Tasting India Symposium. After a long career as an ecologist, Ajay cofounded the Foundation for the Contemplation of Nature. The foundation has it’s headquarters, the Vrikshalaya centre, in a village in the foothills of the Himalayas. Vrikshalaya means the Home of the Trees. Together with the village m’s women’s association, Ajay runs homestay courses in MountainResilience.
In 2016, he won a prestigious prize, Global Maverick Teacher. When I met Ajay he described 3 very important basic principles of life upon which his courses are based. (Fade to)
The Dignity of Physical Work, Interconnectivity, and Interdependence.
SOUND RECORDING: AJAY FIRST MEETING IN DELHI
My name is I Ajay Rastogi and for last 10 years I’ve gone back to live in my own village in the Himalayas. I used to work with the Food and Agriculture Organisation of United Nations working as the organic program coordinator for the country and.
The basic drive to move back was to for to find a tool for transformation of people from inside so that they can connect deeply with nature. And we have no residential program based out of village form stays rural homesteads where the toilet is outside in the sense that it is a structure where there is no running water and that students are supposed to.
Participants are supposed to stay for a two-week program and help the host family which is an agrarian family, in doing all the work that they do like, everyday work, which means taking care of the cow, getting fodder from the forest, and getting enough drinking water from the springs.
And the program is based on three pillars. One is called ‘Dignity of Physical Work’ because unfortunately now we are losing can contact in working with hands, our hands, the second is interdependence, because sometimes we feel that if I am economically sound then I don’t need anybody else; I just spend money and get whatever they want, but that’s not how society is structured. That’s not how the sustainability comes about.
So they learn about interdependence, and the third thing is interconnectedness, and interconnectedness is more about the landscape elements, that yeah this is what it is coming. But this is not by itself you know there there’s some trees there’s some infiltration taking place. There is some soil which can absorb. There is some aquifer and then the water comes up. It’s not as if it comes out of thin air.
And so, we have a structured program now it’s a three-credit course with the collaboration of the western state Colorado University called Mountain Resiliency. And it’s going on. We work with the National Outdoor Leadership School for last nine years. They’re students from all over the world come and participate in these programs.
Tanya: Thank you very much.
Ajay and I got talking.
What can organisations learn from a village in the Himalayas?
How is this way of life relevant to people living in cities?
Is it possible to blueprint Mountain Resilience for Resilient Leadership?
How can the tools and frameworks from ecology be applied at other types of organisations?
We realised we needed to talk to a lot of different people.
SOUND: LONDON STATION. We started by asking Satish Kumar, mentor and guide for the ecology movement. Luckily he had time to meet us in London.
VOICE: SATISH KUMAR Words have power only when they are practiced otherwise. Words have no power. You could say love but it has no power until you love someone you love or compassion. Word is compassion but unless you have a compassion in practice it has no power.
The power comes with practice; not ‘why’ but ‘how’ — how we implement it and the way always is from seed to tree, from small to large.
Start small, start wherever you are, the journey of a thousand miles starts with the first step. So start where ever you are, and by your authenticity, with your integrity, with your commitment, you will influence the others. So don’t worry about ‘how I influence others.’ You will influence others. There’s no way you cannot influence others, if you be the example and start, and do things what you want to do in your life and then others see it and they will be impressed, and they will follow you! This is how all big change happened. Nelson Mandela, Martin Luther King, Mahatma Gandhi, Mother Teresa — all these great people who have done.
SOUND: INTERLUDE TRAIN LONDON (We have a little issue on the train ahead, I hope to be departing shortly)-
VOICE: SATISH KUMAR
I could have had money. I did not go without money because I did not have money. But I went without money because I did not want to have money. And I said ‘money will not be a help,’ because when I’m walking for peace, I want to show that peace comes from trust.
If I go to Pakistan as an Indian, I meet a Pakistani. If I go as a Hindu, I meet a Muslim, or Christian, but if I trust them and I go as a human being, they are human beings. And with that trust. So, if you have money, then you go and stay in a hotel, or B&B, eat in a restaurant, buy your own things. You don’t need to trust anybody. You don’t need anybody, but if you don’t have money then you need people to help you. What is more important people or money?
You can have money and you have no people you cannot build a movement. But if you are people… then… So money is only a kind of means to an end. Money is not the answer. If you have no money that’s blessing. That’s a blessing. If you have no money, just have people, make friendship, work with people. Give service to people. They will help you. They will support you.
The First Episode, ON ACTIVISM, features Peace Activist Satish Kumar.
Money may make things easy, but money does not make things authentic. People offered me money, when I was starting to walk. But Vinobha, my teacher Vinobha Bhave, he said that go without money go without. He was great teacher. So Vinobha had no money. He practiced Kanchan Mukti, money free living. So, if people say ‘I have no money, say ‘you are blessed!’ People with lots of millions and billions of dollars and pounds, what good it is doing?
Why every single individual must own their own house? I think we have to go back to living more frugally and living with families. And when you live with the family have be more tolerant, you have to be more accepting. You have to be more kind. You have to be more compassionate. You have to be humble, because your parents will say something, your brothers will say something, your sister will say something. Why are you not doing like this? So you have to be humble…. so living in a family.
I think in the West we have too many houses, underused, big houses. One or two people living in four-bedroom houses. This is…. And then we take a mortgage, because we want individual, we want isolated. We are separate. We want on our own. Humility lacking. We can live in a community, share. Absolutely! Share.
And then if you do what you need to do. The money also will come. Money will also come. I’m not saying I’m not against money I’m not against money. Money is a useful invention. Money is useful for the means of exchange and so on. That’s OK. But money is not the end. Money is only a means to an end.
What is your end? We have to always ask. What is my end? I have to always ask. Everybody has to ask what am I living for? I’m not living for money. I’m looking for something ‘altruism’– something higher greater. And if I live for that people may give you money.
I did not have money for two and half years. People gave me food, people gave me clothes, people gave me shoes, people gave me even boat ticket from England to America — I went by boat. I had no money. People gave me a boat ticket. People give you everything. There is no shortage of money in the world.
There is a short of imagination, short of altruism, short of action. So money will come. Money will follow you like a shadow follows you. That’s what this is happens. You are not the shadow. The shadow is yours, but you are not of the shadow. So, money is a useful thing but don’t work for money. Don’t live for money. Money is money will be added do you do something bigger and greater, and more wonderful and more imaginative.
SOUND: FLOATING ICE
SATISH: The economy, traditional economy, has a very good, classic economy, when you study economics, it has a very good system. They say that three things you need for the economy. First, land, or nature. That’s a first. If you had no land, no forests, what’s the point? You can’t live.
Then second is labour; land, labour, capital. So, second is labour. Labour means people. And if people are true capital. Their imagination, their skills, they can build a house. They can make furniture. They can do things, they can… Their skills. The people are the capital. Nature is capital, people are capital, then money. Money facilitates, money is good at the third level, but if you put money at the top and put people and nature at the service of money and capital, then economics is skewed.
So, what you need is you need nature capital first. human capital second, because humans are nature. We are nature. We are made of earth, air, fire, water and, and basic elements. So nature is out there, in nature. We are also nature. Human skills, community, cooperation. As you said and imagination and the skills. Making things. Building a house. Building furniture. Making things. We’ve lost that. And this is why we become slaves of money.
I have two hands. This is the source of my income. My two hands can build a house, my two hands can grow food. I can eat. My two hands can make a jacket I can wear. My two hands can make a shoe, pair of shoes, I can wear. My two hands are the real money, and then when I make something, I can give it to you, and you can give me some money, but if I don’t make something then I make myself a slave of somebody and I do something but I’m told to do but I want it or not.
And so money, working for money, is a guarantee of enslavement. You’ll become a slave because you are working for money. So, money comes only third. Land, labour, capital. At the moment we have put capital at the top, and humans are servants of capital, and the nature is servants of Capital.
Equity requires social justice doesn’t it? And so, we have to work to create equity and social justice, so that everybody…. I call it Elegant Simplicity. Elegant simplicity. Because if you live Elegant Simplicity, that is a prerequisite for sustainability, because at the moment we make …make… make so much stuff and clutter our houses, and our hotels, and our buildings, and so on. It all comes from nature. We are turning nature into stuff, clutter.
And so for sustainability simplicity is prerequisite. Then for spirituality, for being contented and happy, we need a few things, because if you want lots of things, that you have to work hard, to make money then you have to work hard to buy. They have to work hard to look after them. It’s all time wasted in external things.
So, for your inner peace, you need a few things, you need good things; good food, good clothes, good furniture good something, but minimum – minimalism, basic. Enough is enough. Then it’s a spiritual, and then equity, social justice. If a few people have too much, others have too little. So, without equity without, social justice, economy is no good.
Economy must be accompanied with equity.
SOUND: FLOATING ICE
Elegant Simplicity means less stuff, less clutter; production not for profit, but production for need. Only purpose for production should be to meet the real, genuine need. Rather than equality I like the word equity, you said. Equity means we all have a stake in it. In the economy we all have a stake in our life. We have more… sort of we all share. Equality is a little bit sort of… like five fingers are not equal. They just some small. The thumb a small. This is big and they still work together.
So equity. They all have their share. They all have their function. They all support each other. Cooperate, collaborate, work together to hold– if I want to hold the glass, all the fingers were equal will not be right, but my thumb needs to be with a smaller but larger, so it can hold the glass and, and, etc.
So, I would say your word ‘equity’ is a more appropriate word, and if you have equity, than equality would be an automatic. More or less everybody would meet their need. Somebody can eat more, somebody can eat a bit less, doesn’t matter. Somebody can have a slightly bigger body, somebody can have a smaller body, somebody can have a bit… Doesn’t it matter, as long as everybody feel part of it.
Equity is there, everybody feel ‘I am part of it.’ So even a small child is a part of the family. Even an old person of that not the same age, but they have a share. They have equity in the family. So, I prefer the word equity to equality. I mean equality is good. But equality is not, not as, um, kind of neutral and as the kind of idealistic as equity. In the family, not everyone is equal, but everybody has a stake in the family, and family is a good model. But they all have harmony and equity, I think. Equal rights. Yeah. Everybody had a dignity. Everybody equally respected. No ownership, just relationship.
SOUND: TRAIN STATION LONDON
Recently I was coming to London and I was at the train station and there was somebody cleaning and sweeping the floor and cleaning and keeping the station very neat and beautiful. And I went to him and I said thank you for cleaning our station, without you keeping this in such a nice way we wouldn’t be so happy, there would be clutter and dirt and dust and so on. Thank you very much. I said this to this person and he was surprised.
“Nobody thanked me like that. Thank you. I’m glad you noticed that I’m cleaning.”
People don’t thank people who are cleaning your station, but without them cleaning, your station would be so awful hopefully you won’t enjoy being there. So, they are as important as the station master, or the person who to show you the ticket, or the person who is driving the train, or person who is managing the train. If the cleaner was not there, station will not be good.
SOUND: FLOATING ICE AGAIN… continues in background
If you have a proper Craftsmanship and if you make something really by hand, as a craftsman, machine can never make as beautiful, and as perfect tool, as human hands can make. So let’s promote craftsmanship and interdependence together.
Don’t be a consumer, be a maker. A human being is not a consumer. He’s a maker. We are all makers we can make something. The moment you say you are a consumer, you are putting the dignity of humanity down.
I’m not a consumer. I refuse to be called a consumer. I’m a maker. I make something. I make books. I make a garden. I make kitchen. I make good food, I make things. I’m a maker. And when I made something I eat it. When I grew food, I eat it. I made clothes I wear it. Consuming is a by-product. Not of consuming — it’s living you are not a consumer. Don’t be a consumer be a maker, and you can learn to be a maker. You’ve got two hands. Your hands are miracle.
At the universities, they are being told that the only way to progress is industrialisation, urbanisation, consumerism, economic growth, all these paradigm, and they are being brainwashed for five years. Day after day after day.
I think your 3 principles of Dignity of Labour, Interdependence and Interconnectivity are fundamental. Now the corporations and corporate world is becoming aware of the issues, and that’s a good opening.
Sweden is a good place to start. Because Sweden… it was Sweden, Stockholm where the first environment conference took place in 1972, and I was there– the first U.N. conference on the environment, and that’s where the limits to growth blueprint for survival; many, many things were launched there, I was speaking there in the forum, and I was invited by the government of Sweden. And so even in ‘72 they were becoming avantgarde. That’s amazing. Sweden as I said, a lot of awareness, and lots of people are doing very good work there. And it’s one of the pioneer countries….
It’s very important for people to be the change then communicate the change and then organise the change. First of all, I want to congratulate all those activists on the front line.
You are the champions and the leaders of today and tomorrow, and what you are doing is courageous and you are not being self-centred, but you are doing something for the planet Earth and for the whole of humanity. And if we do not take a new direction of sustainability, and resilience, then our future is in jeopardy. And therefore, I want to congratulate and say that what you are doing is absolutely wonderful. It is on the lines of Mahatma Gandhi, Martin Luther King, and Nelson Mandela, Wangari Maathai – many, many great women and men have taken such courageous path to stand up for their values and speak the truth to power. And that is what you are doing. And so, I want to support you wholeheartedly.
And what I always say is are three steps towards transformation and change. The first step is Be the Change that you want to see in the world. Second step is: Communicate the change, through poetry, through writing, through books, through plays, through theatre, through music, through demonstrating, through whatever you are doing. Communicate so that other people become aware of it, and then organise the change.
And that’s in a way what, many, many marches and many, many demonstrations are doing. They are, and you are doing that, so that’s wonderful. So be the change. Communicate the change effectively and organise the change. Then change is coming. Transformation is on it’s way
SOUND: SATISH ENDING XR SOUND FROM SOPHIE JENNA; XR SONG
And we will be there.
SOUND:: XR SOUND SAMPLE FROM EMMA WALLACE, SONG
XR logo is based on an hourglass timer. Time is running out.
35:21 MARIJN VAN DE GEER My name’s Marijn Van De Geer and I’m in London. I am the co-founder of ‘Resolution:Possible’ which is a research company. And I’m also an active member of Extinction. Within the political circle of Extinction Rebellion, I am one of the coordinators for the citizens assembly working group.
XR SOUND SAMPLE, MARIJN COMMENTARY MARCH
“This is an incredible moment. I’ll try and describe it to you the best I can but…. People from Land’s End, Truro, Stroud, Swansea, Reading, I’m sure I’m leaving loads out. It’s just. Kind of coming together. I am now being welcomed by XR London in Hyde Park…. All of XR is coming together. In Hyde Park, this afternoon, it’s amazing….
“It’s been incredible. I think it’s exceeded our wildest expectations really. We didn’t think we would be on the streets for nearly two weeks. The movement has been growing ever since it started back in October 2018.
And then we got quite a lot of media attention at the time, for blocking off five bridges. We did also have a lot of new people joining us. We were blocking roads and causing disruption, but also, I genuinely believe that a lot of people didn’t quite get the severity of the climate and the ecological crisis.
MARIJN VAN DE GEER
We got more media coverage and it became better known what it was that we were about and what we wanted. People really started looking into it, accessing the science. The vast majority of people who sort of joined us after November, said to us “We have no idea how bad it was we had no idea that we were talking in terms of climate breakdown and ecological collapse within our own lifetimes.”mIt’s not sort of something in a hundred years, it’s something that’s going to be happening within the next decade. As soon as you realise that, people were like “Right OK, yes disruption seems extreme and you know civil disobedience. But actually, it is extreme what we’re facing.” It’s… it’s a justified method.
SOUND: XR SOUND SAMPLE FROM SOPHIE JENNA; XR SINGING
So since November it’s just grown so much, people have joined us and approached Extinction Rebellion and either said “Yes, we’ll come and do actions” or you know they wanted to be more deeply involved and said we want to join working groups.
We give people non-violent direct-action training and VDA training, so they learn to de-escalate potentially aggressive situations –because we’re so focussed on being a non-violent movement. It sort of gives people the skills. Because it’s a tense situation when you’re sitting there on the street and there’s dozens of police officers, sort of around you, and telling you to go away.
Generally, the police in the UK, anyway in London, have been incredible. But it’s still very intimidating and quite scary. And to then have this kind of training in the back of your mind saying you know “these are the things to say. and this is how you react.”
There’s a lot of chanting and singing and (laughter) so it all becomes quite surreal really. But having that training is just so important.
SOUND: XR SOUND SAMPLE– XR TRAINING
XR Trainer: “So um many, many, difficult situations will be eased by fun and music and singing and those kinds of things so we can do those kinds of things and that will often um ease a lot of tensions. But if that doesn’t work, the first thing you can do, is you can put your hand up, like this, and fall silent. Look you see everybody is doing it, and as soon as you put your hand up, we all know this don’t we?
Okay. There’s another one you can do, if that doesn’t work, which is… maybe you can do this guys um uh clap once if you can hear, me clap twice if you can hear me. Clap three times if we can’t hear me. Okay so we’re all familiar with that. So that’s to establish silence. To establish silence when there’s some violence going off will already create a different kind of a vibe.
Okay so that might be enough. If it isn’t enough. The next thing you can do is sit down. OK, So you’re sitting down and let’s pretend I am the aggressor so facing you guys, sitting down, and that already creates a situation where my violence, if I was a violent person will be exposed by having all these people sitting down around me.
If that doesn’t work the next stage after that is to start chanting and the chant that I’m recommending it goes “We’re non-violent. How about you?” (laughter) Okay. So do you want to try that.
Someone in crowd: “Now don’t you think that’s a bit o the aggressive side?” (Laughter) Chanting: “We’re non-violent. How about you? We’re non violent. How about you? We’re non violent. How about you?” Crowd: We’re non violent. How about you?”
MARIJN VAN DE GEER:
Everybody in the movement has to have the non-violent civil disobedience training, but then also if you decide to sign up as what we call an “arrestable” – so if you’ve put yourself forward to saying I’m willing to do disruption until I get to that point where I will get arrested.
Then you also have the arrestee training. So that’s where you get told everything, what your rights are, what the procedure will be when you get taken into custody.
Behind the scenes of Extinction Rebellion it is truly remarkable. There’s just all these incredible volunteers who are keeping track of where all the Arrestables are being taken which police stations. There’s legal observers at every action so they have the sort of bright orange bibs on, and they take down the names of the people getting arrested.
They take down the names of the officers who are the arresting officers and then they sort of have a rota at all the police stations. And as you can imagine, in April you know we had over a thousand people arrested. So, this was a big project for people to ensure that there were always people waiting for the arrestables, to come out of the police stations.
It is quite intimidating being arrested. At the beginning you’re always with your arresting officer. I was really lucky that I had a really nice officer. But then you are put in a cell by yourself for many hours.
SOUND: XR SOUND SAMPLE FROM SOPHIE JENNA: SOFT SONG
You do kind of need that little bit of TLC afterwards, because it is very disorientating; you have no idea what time it is and it’s all very confusing.
It was really something that was happening all over the world not just in London. All over the world, people were doing actions in the name of their own Extinction Rebellion groups. It was it was hugely inspiring knowing that you know while we were sitting on the streets in central London we knew that people were doing the exact same thing all over the world.
And it has to be like that obviously, because we’re talking about climate change and an environmental breakdown, so, we can’t just have one country committing and everybody else carrying on as usual. It has to be a global effort.
SOUND: SHORT CHEERING
The ideas; you know so we have the pink boats on Oxford Circus and we had the garden bridge at Waterloo Bridge. You know these incredible creative ideas and also you know the logistics of the camps. So Marble Arch was kind of our main camp, but there was a reception area, and there was a Regenerative Culture tent, where there was yoga every morning, this incredible cooking crew on every site, and throughout the time when we were occupying the streets we had new recruits coming to us — at least three new rebel inductions per day for nearly 2 weeks.
When it all comes together it’s just amazing. Even when police in the end took the pink boat away, someone like immediately created this massive sign saying “We are the boat” because obviously having something big symbolic, removed from site was sort of quite sad, you know, our boat!
SOUND: DRUM & BELL
We were all there together and it was just incredible. It was such a such an amazing coming together of people from all walks of life. The sense of community there was amazing. There were people from all over the UK, from all sorts of backgrounds.
We actually had taxi drivers actually joining us in the end you know because they were like: “Well I have children too. And something does need to change, and I can’t just say you know I’m going to now individually do something. I need the support of the government to help us navigate through this crisis.”
There were farmers from all over the country, inner city young people. It was a huge mix, especially amongst the youth. I think they were just so diverse. Then you have people well in their 80s who were camping out. I mean it was just incredibly humbling actually to see people who are you know my grandmother’s age, who were sitting on the bridge at Waterloo, and they were like well “Well we will actually be the first ones to be arrested because we don’t want these young people to have criminal records, and impeding on their potential future working life.” They were like arrest us the old people, we’re happy to take this on.
They kind of sat in front of all these young people and took on that duty of getting arrested first. It was incredible. And you know then when the first thing they ask you is why aren’t you just privileged white middle class people?
What can you do? I think we all learned to shrug a lot at the media and the weird stuff they came out with.
We initially started buying a lot of food because we’d managed to raise quite a lot of money to be able to buy supplies in bulk to supply to or to the kitchens in the various sites. But we also started getting donations from actual food companies. There’s a company called Riverford. They’re based in Devon and they supplied us with loads of fresh fruit and veg and you know feeding the Rebellion. So there’s a lot of amazing people stepped forward to help. Everyone was provided for.
It was a moment in history. At the moment obviously it’s early days. I hope that it will prove to be a positive moment in history, certainly.
So, it was very exciting when the UK parliament declared a climate emergency a few days ago, but obviously now we are actually watching to see what that will actually entail.
We want the creation of a Citizens Assembly to navigate through what the climate emergency is actually going to entail on a practical level. What change that’s going to bring to all of our lives here in the U.K.
It’s one thing declaring an emergency, and obviously it’s one of our demands, and it’s hugely important that Parliament has taken this seriously and that they are talking about it and that an emergency has been declared, but it doesn’t have any teeth yet, so’s to speak. It doesn’t mean anything yet. And that’s what we need to focus on now.
With the Michael Gove meeting, who’s the Environment Secretary, last week, he kind of talked us through all the things that the government had already done. You know what a waste of time. Why are you telling me this? We already know this. Stop telling us how amazing you think you are. I can’t believe that in 2019. This is how government functions.
SOUND: XR SOUND SAMPLE – XR CHANTING LONDON, THE SINGING
Now! Now! Now! No more waiting! No hesitating! We need to build a revolution, And we need to start right now.
The only thing I am hopeful for is that if we get deliberative democracy to supplement the current system. I think it’s the only way forward. This is the aim is that we will have a national citizens assembly on climate emergency. So that would be on a national level.
We need to have national policies with teeth that can that can address the big strong corporations and that government has the mandate and the strength to say “No” – no fracking no Heathrow expansion no this no that.
Those things have to come on a national level, or even an international level. There needs to be systematic, systemic change….so it’s not just out of the goodness of the individual’s hearts that this needs to happen. We also need to hold governments and corporations accountable as well.
Time is ticking.
SOUND SAMPLE FROM EMMA WALLACE, SONG REFRAIN.
52:35 SITI KASIM
SOUND SAMPLE: ORANG ASLI FLUTE MUSIC FROM SITI
My name is Siti Kasim. I’m a lawyer by profession in Malaysia in Kuala Lumpur. You see, I used to do a lot of human rights cases, children rights, the refugees, but then I discovered that I can’t be saving the world, you know. I must focus on one or two issues.
So, I actually take my work with the indigenous people in the peninsula of Malaysia. I can expand my knowledge about the law to the Orang Asli community. So, I go into the interior a lot, into the jungle to the villagers and to their settlements, and I told them that they do have rights, and that they shouldn’t be afraid to stand up and you know, take up that right.
Of course, they have their own activists as well. The Orang Asli activists. I don’t charge this kind of thing.
SOUND: MUSIC CONTINUES
They are the eco warriors, indigenous people. They are the front line of our nature conservation. We should recognise that because the way they preserve the balance of the ecosystem is the way they live.
For example, they have their ‘Pantang’, meaning that they can do certain things in their culture. It’s been going down for generations. But there is a reason for it is actually to preserve the balance of the ecosystem.
So these are their rule.
The Tamaya tribe… They told me that they will never touch the tiger because to them the tiger is very powerful, powerful in the sense of spirit-wise. They revere the tiger very much.
In the olden days. Of course, nowadays no more because of the settlement built by the government — They plant their rice and everything for your own sustenance. And after a while they will shift –rotating. That’s the word. Yeah, so it’s a rotating thing and so it’s how they preserve it! And people don’t understand that it’s beneficial to the earth.
Generally, Malaysia’s people support that we help our indigenous people, but when it comes to religion, they become much more possessive. They don’t like the truth, you know, people hate to hear the truth. With me nothing is too sensitive. Ha ha!
But we still must keep on pushing the boundary. Otherwise we are never going to improve. That’s what I believe anyway.
I mean human rights is something that it was not ‘given.’ It’s already born with us. We are born with rights as a human being.
Our country is unique you know, Malaysia, because we have so many cultures so many races and it all have different ways. I know I have many, many supporters I know, I know I have very, very good people around me. I think I’m blessed with a strong constitution by God that I don’t really care about what people see online because I know myself. I’m very confident about who I am and what I am. I think, women, we evolve better than men. Haha!
I notice from my fifty-five. Coming up the 56 years old I noticed that the more religious a person, the more closed their mind would be, they are limiting their minds to the barriers that build up or walls that they build up for themselves based on their faith or their beliefs.
I just think that religion should not be imposed on anyone.
Even the indigenous people in Malaysia right they do not have a religion. But of course, these people that do go into the interior you know where a majority of them live, trying to spread the faith. What we call a Datwa, missionary. Islam and Christians usually do this. They go into the jungle where the Orang Asli reside and then be tried to get as many as possible of the indigenous people. What we call them as Orang Asli here to convert to the faith either Christian or Islam.
The problem with our Indigenous people, the Orang Asli, in Malaysia, they are also determined by law who can be an Orang Asli. You are only an Orang Asli, An Indigenous person, If one of your parents is Orang Asli and you are practicing your culture, and the 3rd one that you must be able to speak the language of your tribe.
And so these three things– if you don’t practice one you are no longer Orang Asli. Like for Malay, Once you are a Malay, you’re a Muslim automatically. It doesn’t matter whether you believe it or not, there’s method by on people as you are.
But with the Orang Asli, so once they convert to Islam or Christianity then they are being taught not to practice a certain aspect of their culture, because it is not accepted that in your new faith.
In fact, it has been used by government before.
When we took matters to court on behalf of the Orang Asli, pro bono of course, they become smarter and smarter government lawyers. They question us: Are these litigants really Orang Asli, it is really crazy.
If you go and see these or ask leave the interior and you meet the older generation, those who knew the British during their governance, they only have good things to say about the British.
The older Orang Asli always say that the British looked after them very well. Their health was taken care of and in fact until now Even if you’re white you go into the interior, they look up very highly towards white people because they still have these remnants of memories on how the British treated them.
They always said that the British treated them better than the government of Malaysia. They probably felt they were much more better off because there was no palm oil being opened up on their land, they were not forced to move out from their villages. They were not forced to do anything they didn’t want to. With the new government, obviously I think that intention is probably noble.
They want to try and help to improve the life of the Orang Asli by bringing them out and even amongst others who integrate to assimilate they want to try and assimilate the Orang Asli to become Malays.
Just take out these jungle people and help them. This is what they think. What I see even now the majority of people do not try to understand the psyche of the Orang Asli the indigenous people.
People don’t understand. There is no way you can actually expect them to live like us. Why don’t you ask them? When you see them sleeping and resting? How many days were you in the jungle to try and find their sustenance?
It’s not easy. Just couple of hours you go into the jungle. You know how hard it is. But when they go into the jungle they go for a couple of days. Can do that as a town person?
To be honest I would say ninety-nine-point nine percent of the logging– they are all legal. They are all legal. This is the problem. People think that there are many illegal loggings in Malaysia. No, no, it’s not even illegal.
They do get the licence from the State Government. They do get the licence from our forestry department. They are supported by our politician and the State Government. This is where the problem lies because a lot of corruption going on they don’t care about the well-being of the forest.
They don’t understand the forest is related to us leaving in pounds you know they cannot relate to that. Even one of our ministers– not the current government yet because they are only about not even one year. I’m talking about the previous government, one minister actually said that the palm oil they consider as forests. You are a minister you must find out what is really the international world consider as forest.
They say they planted that the palm oil tree. So, it’s a tree. You know ha! It’s really hard when people are making decisions without understanding the nature of our Orang Asli. They use poisonous things you know pesticides. But what they don’t understand is that all these pesticides seep into the ground and go into the water and into the river where the Orang Asli use for the drinking water when they leave amongst the palm oil plantation. A lot of the Orang Asli
Actually they have a lot of problems you know with skin disease and generally not healthy if they lice actually in and around the plantation. Yes, I know the current Malaysian government are pretty upset with the European Union because they say they’re not going to buy any more palm oil from Malaysia. I support that the EU action.
But of course the government is worried because they have to maintain the economy right. Why don’t the government actually insure no more forest being cut down?
Recently the opening Durian King (aka Kind of the Fruits) because Durian King now commands more value than the palm oi! Some state governments now allow allowing these companies that want to plant durian in the middle of the jungle!
This is the fight right now that we have with the Kelantan government. They have given this company M7 a ten thousand hectare to plant more sun king durian at the expense of the Orang Asli.
…Even right now they have already trampled on the Orang Asli graveyard. You know a lot of things, so this makes them very upset of course, but M7 is quite rich. They do everything they can not to abide by the noise made by NGOs as well as the public we have a federal government and then we have the state government.
And then the federal government cannot decide on land, when it comes to land. Only the State Government can decide. Power within the state government. When it comes to issues of land– so the federal government cannot tell for example Kelantan, Why don’t you just give these indigenous people the land be one not not because you want to destroy it. They want to make sure that all the things they need for their nobody wants to give up. No way. Because the land where the Orang Asli actually live or seek is so valuable.
This government is trying to do something to help in which I’m very proud of. It is a first action. Which our federal governments. They can suing the state government for taking the rights of the Orang Asli on your land. So this is the first case maybe perhaps in the world that a federal government suing a state government under the law.
The Orang Asli comes under federal law. You see ,they have the fiduciary duty to make sure that Orang Asli lives are not affected by so-called modernization. But after so many, many years the Orang Asli in Kelantan have done so many blocking. Even fighting contractors, who use weapons as well. You know trying to scare the Orang Asli kids. They persevere.
This is the first case that our federal government sued the companies as well as the State Government. This is the first case now. We are very excited about it actually.
All this while is with us the lawyers the lawyers are the one would think methods to court on behalf of the audacity of course pro bono. I can tell you one hand only the same lawyers will be doing the same. He says while we Indigenous people despite all the cases in support of the rights of the Orang Asli history, our governments before never, never make a policy out of those cases because as you know cases are actually laws.
But they don’t. They don’t care. In respect they do respect at all. The case not actually started yet….
Yes, there are a lot of other application made by the companies and the state governments. So they are asking for a stay on this, on and even if the xxx application just like Najiv case they keep on these two delay matters.
There used to be about 18 tribes, OK, or what used to be 18 tribes, in the peninsula of Malaysia. ….And some tribes have totally wiped out. Basically.
For example, right now no more- no more. Only by name only. Right now, we only have very few of the Bateks. OK. And also the Jahai, these are most shy people, very shy and they are from the ‘negrito’ line. And these are the people. Yes. They are very, very, very, shy. You know during the big flood back in 2016?. I remember now the big flood in Kelantan. I heard story about where the Jahai people live behind the Malay Kampung, you come home Malay couple Malay village and I don’t actually leave behind further behind.
So, when the food aid came people just dropped at the first Malay village. Yeah and the food never being passed on to the Jahai village at the back. They always stop these cars from going further. And these Jahai people will not even come out– they don’t come out to demand their rights to take the food. No they won’t. You will not fight. You will not argue with you. Yeah. This is not just not them. So a very few left.
And what I am also worried for our Indigenous people that soon you know will be no more. So, the whole of Malaysia the population is about 35 million. But for the indigenous people Orang Asli, in the peninsula, there are about 200 to 250 thousand. That’s all.
They are only a drop in the ocean. There be no more of Orang Asli in Malaysia. In Sabah Sarawak there are many, many more. Mostly there –mostly in Sabah Sarawak. Only a few tribes left but they considered themselves to be different. They prefer to be on your own if they can.
I hope to see something just serious dangers in another year’s time hopefully. Otherwise I think we have to think about a third force.
We must keep on fighting in what we believe!
SOUND:NOSE FLUTE CONTINUES, MERGING INTO SWEDISH SUMMER SOUNDS
SOUND: SWEDEN SUMMER SOUNDS
Thank you for listening to our first episode! Nordic by Nature is an ImaginaryLife.net production, created with the support of the Nordic Ministries.
Please help us by sharing a link to this episode with the hashtag #tracesofnorth, and follow us on Instagram @nordicbynaturepodcast
Many thanks to Satish Kumar and Elaine Green for their ongoing support and encouragement. Satish is also the editor of Resurgence magazine, and the guiding spirit behind the internationally-respected Schumacher College in the UK. Please see resurgence.org and Schumachercollege.org.uk
Many thanks to Marijn van de Geer, founder of the consultancy Resolution: Possible. Thanks to Extinction Rebellion members Emma Wallace and Sophie Jenna who also shared their Rebellion sound recordings with us. Please see extinctionrebellion.com to read more about the movements demands for transparency and climate justice.
Thank you to Siti Kasim, lawyer, activist and writer of the column Siti Thots on the Star Online.
That’s (spells it). The flute music is a nose flute played by an indigenous Orang Asli man from the Temiar tribe in Kelantan.
All the sounds have been arranged by Diego Losa. You can find him via diego losa.blogspot.com.
You can see Ajay’s project on foundnature.org. and follow the Foundation for the Contemplation of Nature on Facebook and Contemplation of Nature on Instagram.
We’d love to hear your thoughts on our podcast. Please email me, Tanya, on firstname.lastname@example.org.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/.
Sit back, relax and out your headphones on. Nordic by Nature is a new type of mindful and spacious sound-crafted audio podcast inspired by Arne Ness, the Norwegian philosopher who coined the term Deep Ecology.
In ten episodes, and with a global perspective, Nordic By Nature explores human, social and personal resiliency and adaptability that is needed for these challenging times.
The podcast is sent from Sweden and the foothills of the Himalayas by two colleagues who met in 2017; Tanya Kim Grassley and Ajay Rastogi. The podcast is intended to be listened to like an extended exercise in mindfulness; the soundscape has been designed by sound artist Diego Losa.
In this episode On Activism, we have 3 strong voices who represent many thousands more at the forefront of change.
First you hear the words of Satish Kumar. To people in the ecology movement, Satish Kumar needs little introduction. He has been a world leading activist for over 50 years. In his early 20s, inspired by Gandhi and British peace activist Bertrand Russell, Satish embarked on an 8,000-mile peace pilgrimage together with E.P. Menon.
They walked, without any money, from India to America, via Moscow, London and Paris, to deliver a humble packet of ‘peace tea’ to the then leaders of the world’s four nuclear powers. Satish sends a message to all activists out there! “You are doing something great,” he tells us. All important social change was driven by protest.
After Satish, we meet Marijn van de Geer, a Dutch national, living in London, and active member of the growing, grassroots movement Extinction Rebellion, that staged a 10-day demonstration across London, in April 2019, preceding the UK parliament declaring a climate emergency. Marijn takes us by the hand through the Rebellion, why it is so necessary, and the experience of 10 days non-violent protest.
We then will hear Siti Kasim, celebrity lawyer and human rights activist who is passionate about the rights of the indigenous people in the Malaysian peninsula, the Orang Asli.
Please help us by sharing a link to this episode with the hashtag #tracesofnorth, and follow us on Instagram
Many thanks to Satish Kumar and Elaine Green for their ongoing support and encouragement. Satish is also the editor of Resurgence magazine, and the guiding spirit behind the internationally-respected Schumacher College in the UK.