Nordic By Nature, on deep ecology

Nordic By Nature started in 2016 as a research, content and editing partner for environmental experts publishing globally relevant content on Ecology Today. A side product of this work resulted in 26 interviews and 11 podcast episodes, inspired by Arne Naess, the Norwegian philosopher who coined the term ‘deep ecology’ produced in association with the Foundation for the Contemplation of Nature in India.

The interviewees were not chosen to represent society at large, but rather because of their ability to follow their own inner voice. All of our guests have repeatedly set aside opportunities for material gain to pursue their own lifelong journey of transformation.

The podcast transcripts have been turned into an e-book Nordic by nature. New voices on deep ecology; Arne Naess in the 21st century. Please email info at imaginary life dot net for a free copy.

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Deep listening for deep ecology. Each episode of Nordic By Nature’s audio podcast is a spacious, mindful exploration into what constitutes deep ecology, through voices from around the globe.

Episode 1: ON ACTIVISM

This first podcast episode ON ACTIVISM, presents the inspiring voices of peace activist Satish Kumar, Marijn Van de Geer from Extinction Rebellion, and Siti Kasim, human rights lawyer passionate about Orang Asli, the indigenous people in the Malaysian peninsula.

Episode 2: ON SURVIVAL

The second episode, ON SURVIVAL, presents the voices of culinary curator Monika Kucia, who runs a farmer’s & producers’ and hosts cultural food events in Warsaw, Poland, design leader and educator Daniel Wahl, whose book Designing Regenerative Cultures is must for anyone interested in transformative innovation and Helena Norberg-Hodge, author of Ancient Futures, a seminal work that compares the way of life in the Himalayan region of Ladakh, before and after globalisation.

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Episode 3: ON INNER RESILIENCE

In this episode ON INNER RESILIENCE, we hear four voices share how they maintain inner equilibrium. Firstly, we learn about nature-centred mindfulness practice from Ajay Rastogi, at the Foundation for the Contemplation of Nature in the Himalayan village of Majkhali in Uttarakhand, India. Then you will hear Egyptian conservationist Noor A Noor, who describes his own personal path into mindfulness – through his experiences of the 2011 Egyptian Uprising. Then Judith Schleicher explains how daily meditation has helped her with her conservation work, ever since she attended a 10-day Vipassana retreat in Peru 7 years ago. Lastly, we meet Christoph Eberhard, legal anthropologist and practitioner of the Chinese and Indian traditional arts Ta Ji Chuan, Qi Gong and Yoga. Christoph believes that dialogue is at the heart of meaningful transformation- dialogue with oneself, with others, with nature, and the beyond.

Episode 4: ON TRANSFORMATION

Episode 4 features the voice of Swedish social entrepreneur Tomas Björkman. Tomas is a former investment banker and progressive thought leader, who is exploring how to create new spaces and places for co-creation, personal and societal transformation, and community development through conscious social development.

Episode 5: ON HAPPINESS

The fifth episode of Nordic By Nature, On Happiness, presents two guests who have dedicated their careers to understanding the relationship of values to our behaviour, sense of wellbeing and impact on the wider world.

First, we hear Tim Kasser, currently a professor of psychology at Knox College in Galesburg, Illinois, USA. He has authored over 100 scientific articles and book chapters on materialism, values, goals, well-being, and environmental sustainability, among other topics. In 2018, he collaborated with the cartoonist Larry Gonick to create HyperCapitalism: The modern economy, its values, and how to change them.
Then we hear Dasho Dr. Karma Ura, President of the Centre for Bhutan & GNH Studies located in Bhutan’s capital city, Thimphu. The Centre has a mandate to research Bhutan’s Gross National Happiness, Culture and History of Bhutan, and policy related studies.

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Episode 6: ON BELONGING

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In the sixth episode of Nordic By Nature, On Belonging, we meet three people who have thought a lot about what ‘home’ means to them and how that relates defines their relationship to a place. All were present at Standing Rock.

First you hear the words of Andrew and Kayla Blanchflower, tipi dwellers and makers whose way of the life can be an inspiration to all of us to live lighter. Andrew and Kayla met and fell in love in Oregon in the States and decided to raise their family ‘off the grid’ with a closer contact to the earth and Mother Nature.

You will then hear Yvette Neshi Lokotz teacher of hand drumming and practitioner of the Medicine Wheel or Sacred Hoop healing, and tribal member of the Potawatomi Nation.

Episode 7: ON ETHICS

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In this episode ON ETHICS, Ajay Rastogi at the Foundation for the Contemplation of Nature in Uttrakhand, India, invites Dr. John Hausdoerffer, from Western Colorado University in Gunnison, USA, to speak about Ethic today.

Dr. John and Ajay are leading students on an experiential Mountain Resilience Course, that is part of a longer term Sister Cities program between Gunnison and Majkhali India, with the aim to share climate change solutions between the two ‘Mountain Headwaters Communities.’

Dr. John an environmental philosopher and writer whose has written a number of books that look at the intersection of environmental ethics and social justice including “Catlin’s Lament”; Wildness and his upcoming book What Kind of Ancestor Do You Want to Be?
Both Ajay and Dr John are part of an ever-growing movement that calls for a new ethic, one that views all places as part of our home, all generations of all beings as part of our scope of responsibility, and all actions as potential expressions of human care for the world.

Episode 8: ON KNOWLEDGE

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This episode, ON KNOWLEDGE, features two guests who have dedicated their life’s work to enabling marginalised communities protect their own resilience, whilst net-working and lobbying for policy changes around the issue of Food and Nutrition Security, Climate Change, Sustainable Livelihoods, and integrating People’s knowledge into bioregional development.But first you will hear a few words from my colleague Ajay Rastogi, at the Foundation for the Contemplation of Nature. Ajay works closely with the women of Majkhali village in foothills of the Himalayas, in Uttrakahand, India. He set up the Vrikshalaya Centre there to be a meeting place and knowledge hub for the villagers and other communities in the Himalayan lowlands, as well as foreign visitors and homestay guests interested in more meaningful forms of sustainability.

We then hear from Nadia Bergamini who works at Bioversity International. Nadia also lives on and runs an organic, biodynamic farm together with her husband, in the countryside, outside of Rome.

At Bioversity International, Nadia collaborates with the Satoyama Initiative, helping communities all over the world develop strategies to strengthen their social and ecological resilience, and maintain the diversity of the landscapes’ agro-ecosystems, species and varieties.

You will then hear from Reetu Sogani, women’s rights activist who is working on strengthening and evolving Cultural and biological diversity, and its integration to address Food and Nutrition Security and build Climate Resilience, in the remote areas of Himalayas and other parts of India. Reetu has addressed the International Women’s Earth and Climate Summit in New York as one of the 100 women global leaders from across the world.

Episode 9: ON ART

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In this episode, ON ART you hear a few words Ajay Rastogi, at the Foundation for the Contemplation of Nature introducing the voices of two Norwegian artists, Catrine Gangstø and Laila Kolostyák. Catrine and Laila are committed to using ART as a meeting point for engaging the local community in thinking about equity, identity and our inner and outer natural worlds.

Ajay Rastogi works closely with the women of Majkhali village in foothills of the Himalayas, in Uttarakhand, India, where making art is an intrinsic part of everyday life. Ajay set up the Vrikshalaya Centre there to be a meeting place and knowledge hub for the villagers and other communities in the Himalayan lowlands, as well as visitors and homestay guests interested in learning about more meaningful forms of sustainability.

Catrine Gangstø is the founder of the Peace Painting Foundation, that runs painting workshops for children, youth and adults all over the world, including war zones. Through her idea of Painting for Peace, Catrine has engaged over 3,000 workshop participants and many more through travelling exhibitions of their work. Catrine has proven that painting can be a safe space for sharing difficult experiences and emotions as well as a way to communicate hopes and desires for peace in the world.

Then we hear from Laila Kolostyák, a visual artist who works with snow and ice. Laila and her colleagues have engaged a whole generation of young people in creating and enjoying outdoor snow and ice experiences that culminates in the Borealis festival in Alta, which lies 375 kilometers north of the Arctic Circle.

Episode 10: ON CONNECTED VOICES

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In this episode ON CONNECTED VOICES, you will hear from two guests prominent in the world of internet access and freedom of speech. First you will hear from Walid Al Saqaf, free speech advocate and software developer who focusses on the non-commercial use of Internet and its impact on democracy and freedom of speech. After Walid, you will hear from Bahraini civil rights activist, and blogger Esra’a Al Shafei founder of Majal.org, a network of digital platforms that amplify underrepresented voices in the Middle East and North Africa. The World Economic Forum listed Esra’a as one of 15 Women Changing the World, and she was featured in Forbes magazine’s 30Under30 list of social entrepreneurs making an impact in the world.

Walid founded a ground-breaking news aggregation service in his home country of Yemen, which spurred him onto work with tracking Internet censorship and enabling activists and journalists to bypass government-imposed firewalls to access news and social media websites. He is a member of the Board of Trustees of the Internet Society (ISOC) and co-founder of the Society’s Blockchain Special Interest Group. His work in tech development for increasing Internet Access has earned him international recognition, including a TED senior fellowship, and Örebro University’s Democracy Award, and he has been featured by global media such as CNN, the Guardian, and the Huffington Post.

Esra’a is passionate about music as a means for social change, and is also the founder of MideastTunes, where musicians across the world with Middle Eastern and North African origin can share their music that is often censored on mainstream music platforms. She also a senior TEDFellow, and Echoing Green fellow. As an outspoken defender of free speech, Esra’a was FastCompany magazine’s “100 Most Creative People in Business and The Daily Beast one of the 17 bravest bloggers worldwide.

The music you hear with Esra’s is by Tam Tam, the Saudi born pop star who sings about solidarity and equity.

Episode 11: ON NARRATIVES

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In this episode ON NARRATIVES, we hear from four people working to shape more constructive narratives of our relationship to nature in order to increase environmental protection; First, we hear from Tom Crompton, founder of the Common Cause Foundation in the U.K., then, Paul Allen from the Centre of Alternative Technology in Wales, followed by Yuan Pan at Cambridge University and finally Rewilding expert Paul Jepson.

Tom Crompton’s research into values shows that the dominant narrative of the selfishness of humankind is deeply flawed.

Paul Allen presents a positive and attainable vision of the future, where technology creates smart, localised and integrated infrastructures that help us humans live in harmony with the planet for centuries to come.

We then hear from Yuan Pan, whose work integrating biodiversity into the Natural Capital Framework at Cambridge University aims to help businesses and policy makers make smarter decisions and start understanding the direct benefits from acting as stewards of the environment and nature’s resources.

Finally, we hear from Paul Jepson who is also active in science communication, particularly in the area of biodiversity, science-policy interfaces and new media. In 2016, Paul published an agenda for European Rewilding and conducted research with Frans Schepers on creating policies for Rewilding within European Commissioned nature institutions. Paul currently works for the consultancy ecosulis.

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Nordic by Nature Podcast is an Imaginary Life AB production. We’d love to hear your thoughts on our podcast. Please email us on nordicbynaturepodcast at gmail.com.

We are also on Patreon if you would like to support us with a donation to keep this podcast going into a second series! See www.patreon.com/nordicbynature

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If you are interested in Mindfulness and Resilient Thinking, please read about Ajay Rastogi’s village homestay retreats on foundnature.org, and follow the Foundation for the Contemplation of Nature on Facebook, and Contemplation of Nature on Instagram.

Questions to Tenzin Shenyen; a monk called ‘friend.’

In ten days time, our friend Tenzin Shenyen will embark on a 3-year Tibetan Buddhist retreat in Germany that “begins a cycle of practices to stabilise, concentrate and open the mind through more meditative practices that… include practices aimed at transcending one’s deeply ingrained delusional tendency to see oneself and the world as ordinary.”

Q: It’s been 3 years since you gave a talk at Service Design Conference in Stockholm. It was wonderful to see the whole conference meditating with you. It palpably changed the energy in the room. I especially appreciated your advice for design professionals to ‘Just Say No!’ more often. I think that advice is more important than ever. Can you expand on that a bit?

A: As I said in one of my posts about the approaching retreat, I think human beings are machines for producing works of art, and that the best works of art are nameless and invisible. Saying “no” to what is visible and which already has a name is one way into that space. I also re-read Castaneda’s Journey To Ixtlan recently and was touched by how deeply I still resonated with it. There’s a lot of ‘no’ saying in it, from ‘erasing personal history’ to ‘losing self-importance’, to ‘becoming inaccessible’ and ‘disrupting the routines of life’. The genuinely ‘new’ comes out of nowhere – and I mean absolutely nowhere, a brutally total nowhere- but we are too eager to be ‘somewhere’, no matter how shabby and derivative that ‘somewhere’ might be.

I hope at least one designer out there reads this and decides to say ‘no’ to the whole works — until reappearing twelve years later with something with no name and no identity that the whole world needs.

"Saying goodbye to house sits and temporary rooms, to the forest and one litre bottle-showers at twilight, to the over-exposure of homelessness. Saying hello to deep seclusion and practice. The worlds we inhabit are neither visible nor invisible, but secretive, coded, nuanced and blessed. Saying goodbye also to Facebook, and hoping something more nuanced, respectful and soulful has taken its place by the time I come out again. I'll meet you there, I'm sure."

“Saying goodbye to house sits and temporary rooms, to the forest and one-litre bottle-showers at twilight, to the over-exposure of homelessness. Saying hello to deep seclusion and practice. The worlds we inhabit are neither visible nor invisible, but secretive, coded, nuanced and blessed. Saying goodbye also to Facebook, and hoping something more nuanced, respectful and soulful has taken its place by the time I come out again. I’ll meet you there, I’m sure.”

Q: What impact does your Buddhist practice have on your daily life today? How does Buddhism work as a practical guideline for daily decision making? How can this shape a layman’s decision-making to live an ethical life as an ‘ordinary’ person?

A: My daily life is perfumed by Buddhism. It allows me to see everything I do as a kind of prayer. For example, right now I’m watching the world cup. It’s football and I love it, it needs no justification. My unconscious is working tremendously hard preparing for the retreat, so Shenyen is balancing that by just relaxing. I don’t need to justify it. Justifications are for people who are organising pogroms, or asset-stripping entire national infrastructures, etc. not for people who are … content just being nobody, nowhere, just talking with The Invisibles, just owning one pair of shoes … or just watching Argentina’s slalom into the knockout stage while reading Jorge Valdano reflecting on the military dictatorship of the 1970’s, along with his plea to stop treating football as a science; it all turns it all into a kind of dream yoga. And dream yoga is part of the path to Buddhahood. You cannot live an ethical life without nurturing your imagination.

Elaine Scarry’s talk, Beauty as a call to justice, will explain that in detail. I re-posted it on my youtube channel. Ultimately no-one can tell you how to live, they can only seduce you into living in a specific way. Ethics thus emerges from Eros, from loving relationships — with yourself, people around you, your own karmic history, and the culture around you and the times you have been born into.

Q: You spoke once about the importance of combining Buddhist practice with your own ‘culture’ or your natural place in contemporary society as a western monk. Will you still have space for that kind of ‘personal cultural research/ observation’ on your 3-year retreat? Can you watch football when you are there?! Can you read Artforum? Can you write your blog, radioshenyen?

A: Football? Probably not! But in between the meditation blocks, that will usually last about 6-8 weeks per topic, we are encouraged to relax, maybe even listen to a little music. And I will have my Artforum scrapbooks with me. Enough for one exhibition a week I think! But I don’t see too much separation between the centuries-old tantric stuff and my personal interests. Doing the retreat in all its traditional structure is also a part of my ‘personal cultural research’.

"Study, a mixture of chaos and silence, concentration and fragment."

“Study, a mixture of chaos and silence, concentration and fragment.”

Q: How much meditation do you recommend to a layperson or beginner? Is frequency important for practice? Are there other types of activities such as physical work (making things, cleaning, gardening, etc.) that are also seen as part of Buddhist practice? In Asia, meditation isn’t seen as something that ‘ordinary people’ do. Lay people often ask the monks to meditate and pray on their behalf.

A: Meditation is extremely over-emphasised in contemporary Western presentations of Buddhism. Ethics, study, art, service, offering, confession, purification, prayer, chanting, and vows, among other things, are all sidelined, or dismissed as ‘obvious’, ‘old-fashioned’, ‘embarrassing’ or ‘peripheral’. But Buddhism only really comes alive when you take on board it’s entire culture, it’s ‘world’ while being willing to do the work of engaging that world with your own. Thus, my love of contemporary art is inseparable from my study of Madhyamaka and tantric meditations. My best moments of mindfulness occur when on alms round. You can’t just meditate in a vacuum, in a fog of mundane activity and thinking.

But nevertheless, it is part of the path.

I would recommend a very short commitment — 10 minutes a day is fine — to being quiet, still, disciplined and visionary on one’s cushion. But instead of wanting to meditate I would suggest that people simply pray to be able to meditate, and then relax. Thinking about what other people need — the immediate needs of the people around you right now, at home or on the train platform — is so much more powerful than some half-hearted meditation practice.

Genuine meditation comes out of uncontrived faith. Faith arises out of joy and ethics. Ethics from art and empathetic disciplined imagination.

Q: We need to manage negative attachments to the idea of future, such as fear or sadness or anxiety, as these feelings arise, to avoid shutting down altogether. Is hope also an attachment?

A: Attachment is one of those words that are easy to misconstrue. In Buddhism, liking something isn’t an expression of attachment; wanting something good to continue, or to happen if it hasn’t yet happened, isn’t attachment. Attachment is defined as a state where ‘you are willing to do something bad in order for something to continue (or begin)’. So ‘hope’ in itself isn’t attachment. Love isn’t attachment, not even fierce love. Whereas cowardice would be.

Q: What is your favourite festival or holiday? What practices in your life have changed significantly since becoming ordained?

A: I like New Year’s celebrations. Awareness of time cycles is a lovely thing and transcends specific religions and worldviews. And the atom bomb memorial day in Hiroshima is also high on my list of ‘things which make the heart beat faster’ – if that’s what you mean by ‘festival’.
Ordination, by providing an absolutely fundamental challenge to my sense of identity, in both challenging (demanding, humbling) and transformative (blessed) ways, has helped me to explore more deeply the teachings on non-self as a meditative state.

Q: How important is it to be altruistic?

A: It is impossible to become a Buddha without practising altruism. And never mind Buddhahood, it is impossible to keep enjoying positive samsaric rebirths without practising altruism. All art comes from altruism.

Links:
– For those interested in reading more about the 3-year retreat there are 5 posts on Shenyen’s blog, radioshenyen that talk about it in more detail. https://radioshenyen.blogspot.com/
– Shenyen on Youtube: https://www.youtube.com/channel/UCKf_RRjzHsJ5a_LtWltGubA
 Images from Shenyen’s Instagram: @radioshenyen 

Radio Shenyen. On Buddhism and the Universe.

Radio Shenyen has now moved to it’s own dedicated space on Tumblr. Radio Shenyen is a blog part poetry, part diary, part letter, by the British born Tibetan Buddhist monk, Martin Hodgson, aka Tenzen Shenyen.

Shenyen received monk’s vows from His Holiness the Dalai Lama in July 2004. Shenyen, that means ‘friend’, has spent the last ten years wandering around the world, allowing the blessing of the tradition to mingle with the secular beauties of his own culture. In 2008, Shenyen slept in 93 different places. His office consists of a rolled up copy of Artforum and an old Nokia 100.

In October 2014, Shenyen spoke at the Nordic Service Design Network’s conference on ‘Creating Value for Quality of Life.’ His talk brought a fresh perspective to design, arguing that karma and experience cannot be correlated for predictable effect, much less be designed.

The task of designers today is to ride the chaos and make decisions characterised by ‘innocence’ and precision. From cinema directors to kamikaze pilots, from biographeme to biography and back again, Shenyen traces a soft logic lineage of ‘contemporaries across millennia’.

Tenzen Shenyen

Radioshenyen: Roberto and Jane

radioshenyen: Roberto and Jane
February 2012 Spain

“He wants to live long enough to witness a new, post-genomic fiction, one that grasps the interpenetrating loops of inheritance and upbringing so tangled that every cause is some other cause’s effect. One that, through a kind of collaborative writing, shakes free of the prejudices of any individual maker. For now, fiction remains at best a scattershot mood-regulating concoction – a powerful if erratic cocktail like Ritulin for ADHD, or benzodiazepines for the sociophobe. In time, like every other human creation, it will be replaced by better, more precise molecular fine-tuning.”
— from ‘Generosity’ by Richard Powers

I already have the voices: what I’m dreaming right now are the instructions that come with the voices, the writing of the instructions, and the packaging of the writing. A writing like radar and radio and radiation and reckless love sonnets and an everyday kind of yesterday; a packaging like homelessness.

In William Gibson’s ‘Spook Country’ there’s a guy who chalks out GPS grids on the floor of whatever structure he is presently staying in and refuses to sleep in the same square twice. I think about him so much – I mean ‘think’ in a nameless, fraying, post-calculative sort of way. The guy’s in deep – real deep – in some ghostly new world that’s coming. A witness to tomorrow’s unimaginable ordinary. People like this make me feel very still, make me able to smile – and disappear. People like this I can trust.

I think about fictional banking and the set of all people who dream of knockin’ in Mitsubishi’s. About landscape poetry and linear deepening and superflatness and cardboard. There are days when every single thought feels like the gift of buddhas. And there are days when I find myself wondering which will disappear first: all my hesitations or all my friends.

“True happiness, we are told, consists in getting out of one’s self; but the point is not only to get out – you must stay out, and to stay out you must have some absorbing errand.” — Henry James

I think about the different ways different writers take us to the edge of the abyss: Roberto Bolano for example, whose ‘2666’ contains a three hundred page section that catalogues the murders of over a hundred women in paragraphs of blank forensic detail wrapped around images of a hallucinatory televisual ‘Mexico’; or Jane Austen, whose graceful and intricate novels contain little UXBs of addressed human sadness, such as when the heroine of ‘Persuasion’ is forced once more to learn ‘the art of knowing our own nothingness beyond our own circle’. I try and imagine Jane Austen inside the world of ‘Spook Country’ or wandering the wastelands that surround the maquiladoras of Bolano’s nightmare. But the real mystery here is this: I imagine her safe.

I look for things to give you that wont waste a second of your time. Things like this 19 minute video diary for instance by war reporter Tim Hetherington, Or these – though I’m a little less confident about them! – these images of I know not what. Mexican ice creams for Jane perhaps, or midnight hats for her to wear in the midst of some absorbing errand. I really dont know.

Until next time

shenyen

radioshenyen: another girl

feb 2011 Birmingham, UK

“There is a fine line between what we like and what affects us. There is a fine line between what we can manipulate and what is close to us. There is a fine line between using technique and making music. We must be open to the spaces (silence) in order to fill them just right. We must see the spaces, inhabit them, live them. Then the next note, the next move, becomes apparent because it is needed. Until it is apparent, nothing should be played. Until it is known, nothing should be anticipated. Until the whole appears, the parts should not be criticised. Until — ”
— (source unknown) (IL: Keith Jarrett, we think)

“Another picture was of two girls with their arms around each other’s shoulders, their heads tilted to the left, gazing at the camera with similar expressions and an incredible assurance, as if they had just set foot on this planet or their suitcases were already packed to leave.”
 Roberto Bolano, ‘2666’

In Colombo a man lies sprawled out along a bus shelter bench, holding his head. beneath a poster of a smiling vibrant female boxer.

A girl steps onto the bus wearing a t-shirt that says ‘another girl’.

A shop selling bird cages and weighing scales, examples of both hanging in the window, each of them empty in their own way.

An 87 year old blind woman becomes president of Egypt. The ghost of a 9 year old girl wanders the Midosuji line singing her grandmother’s favourite enka song.

A traffic accident victim lies dead in the middle of the road covered by a plastic sheet with only his feet sticking out, next to his smashed motorbike which has only one wheel. In the twenty minutes it takes for the police to arrive and sort out the traffic jam that my bus is caught in I watch people get out of cars and off the bus to go forward to have a look. I cannot understand anything they are saying but I know its a death scene. As the bus finally drives past the body the image of the victim lying there with just his feet sticking out of the sheet strikes me very strongly and I start saying vajrasattva mantras for him.

The bus driver is driving like a maniac but I dont mind, wrapped as i am in a cocoon of silence and faith, inside the formlessness of my life’s direction. The bus radio is playing Indian pop, the kind where the male singer sounds like he’s singing in front of a mirror and is profoundly moved by the beauty he’s seeing there, and the female singer sounds like an angel who made it to heaven on the strength of her housework. And then Abba’s ‘Dancing Queen’ mixed to a techno beat starts and suddenly I realise there’s no such thing as a ‘buddhist country’, there are only buddhist moments: buddhist bus journeys, buddhist convenience store car parks, buddhist playlists.

Outside departure gate 7 an airport worker walks past pushing a cart stacked with a pyramid of different coloured plastic bins. As she passes beneath a structure hanging from the ceiling – a crown of little golden lights – her gaze meets mine and we smile. And I say to myself: all tools, all technologies, are essentially extensions of the body: pencils, shopping bags, aeroplanes, tantric sadhanas. I make no distinctions.

Secrets, when combined with love and selflessness, are the greenhouse of language.

On the plane during take-off, listening to favourite songs, I can still see vividly the image of the road accident victim, and the songs become prayers that the dead man’s universe reappears as a white limousine with 17,000 wheels to make up for the one he lost yesterday, a century ago, just now.

Until next time

shenyen