International Forest Day Live Impro session on Zoom
The first Contemplation of Nature Zoom session took place on Saturday, 21st March 2026, on International Forest Day. 76 people gathered across geographies to sit together; not in a forest, but to contemplate nature through an accessible, open-eyed meditation.
It was simple in form. A shared Zoom space, a gentle guiding voice, and the low, resonant presence of double bass. A temporary ecology of care, held between sound, attention, and the more-than-human world. The session opened with live music, followed by a minute’s silence for the immense unfairness and suffering taking place in the world at this moment. A short haiku marked the convergence of the Spring Equinox, Eid, the end of Ramadan, Nowruz, the Iranian New Year, and Navratri; a celebration of the Divine Feminine.
Our hosts were ecologist Ajay Rastogi and double bass musician Paul Erhard. Ajay Rastogi is an ecologist and founder of The Foundation for the Contemplation of Nature, based at the foothills of the Himalayas in India (foundnature.org). Paul Erhard is Professor Emeritus of Double Bass at the University of Colorado and has been playing since the age of 12 (timeartspaceart.com).
There was no demand to close the eyes. Instead, the invitation was to remain connected with the visible; to soften the gaze and allow attention to rest on what is already here. For some, this was unfamiliar, but the response was positive. The music carried the session; words and double bass moving together. Paul’s improvisation, in response to Ajay’s voice, was emotional, but also restrained and grounded.
The session moved between spoken word, silence, and improvised music; at times voice alone, with space to breathe. The meditation felt like more than a mindfulness technique. It felt relational; between each other, the nature we brought into attention, and the shared act of sitting together.
The meditation itself lasted around 30 minutes. Afterwards, participants were invited to share a few words in the chat about how they felt.
Many spoke of calm and warmth. A settling. A sense of being more grounded and centred. For some, it felt like a reset; the nervous system finding its way back to ease. Others described a softening. The mind felt less tight; awareness opening rather than narrowing. A few named a kind of emptiness; not absence, but spaciousness. A fullness that did not need to be filled.
The word connection appeared again and again. Connection to nature, even through a screen. Connection to something shared; a field rather than an individual experience. Some said simply that they felt part of nature again; not observing it, but within it. There were small, precise moments too. Someone noticing an antler. Someone feeling held. Someone arriving at a sense of home without needing to define where that was.
Gratitude moved through many responses; sometimes quiet, sometimes overflowing. People felt touched in ways they had not expected. The combination of music and meditation seemed to open something gently; grounding without force. One person spoke of a deeper appreciation for the natural world, as if stopping allows reality, and its beauty, to come forward.
There was also curiosity. The open-eye practice stood out; unfamiliar, but accessible. Not something to master, but something as simple as resting. No performance, no need to be perfect. And alongside this, a practical observation; some felt the session could have been longer. As it ended, people did not immediately leave. They stayed, sitting together a little longer in shared reflection.
This first session was not a finished form. It was an improvised beginning. What is taking shape is a small ecology of collective attention; somewhere between practice, spoken word, music, and ecological awareness. Light enough to enter, but grounded enough to hold.
It is possible, even through a screen. That is reason enough to continue.
Reflections in the chat:
If you would like to join the next meditation please watch this space….



