Torsten and Wanja Söderbergs pris, Ilkka Suppanen.
Ilkka Suppanen won the prestigious Torsten and Wanja Söderberg’s prize. Here is an introduction from Ilkka himself that was not published in the catalogue.
Looking back, dreaming about the future. I am very honoured to receive this prize. It’s given me a chance to look back at my life and feel gratitude for all the opportunities I have had since I was a young designer. Every bit of positive feedback gives a designer confidence to continue developing their thought process, no matter where they are in their career.
For me, drawing is a very important part of my thought process. Drawing allowed me to become a designer. And I think the drawings in this catalogue describe my journey as a designer more than words ever could. Drawing has helped me navigate a complex world ruled by words. It helped me to continuously ask questions about the role of design, from designing products and environments to thinking about the larger, more complex systems that govern our world, and what is possible in the future, with all the human creativity and technology available to us.
As soon as I could hold a pencil I started scribbling, but it was at school that drawing started to have a particular significance to me. Although I was verbally articulate, I soon realised that my imaginary world was made up of images, not words or text. I could not understand why I was not allowed to draw my way through every class! It turned out that I am heavily dyslexic. In those days there was no diagnosis, so school was very difficult for me. Drawing became my refuge. It was the only way I could get praise from teachers or make my schoolmates laugh. Through drawing, I had a chance to develop my interests and get a higher education studying architecture and design.
Drawings is a reiterative process, an act of exploration, questioning and discovery, where the drawing takes on a life of its own and reveals more questions that need to be answered. Anyone who draws understands this. Technical drawings are the last defining work done in the design process, but drawing throughout the whole design process helps me to continuously ask questions, testing a concept again and again until the solution is ‘justified and correct.’
I look back at the drawings of my heroes, Alvar Aalto and Eero Saarinen. I look at their drawings and I am in conversation with them. In Alvar Aalto’s drawings you can see several scales sketched in a one single piece of paper simultaneously: this represents his holistic view on design. Just one drawing holds all that knowledge. Eero Saarinen could try and solve multiple problems in a one single drawing. I saw a plan of a skyscraper and an evaluation matrix of possible future wives in one drawing! These heroes showed me how drawing is a way of dreaming the future. And for me that sums it up. That’s a designer’s job. It’s what we are trained to do. I believe the most important work for a designer today is to share their process with the world, so that we can collaborate in dreaming a better future and designing the world we all want to live in.